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The major cities of Lycia
were situated on the coast or in the Ksantos valley, in locations
relatively easy of access compared to the wild mountains.
Archaeologists estimate that the ancient population did not exceed
200,000. As stone masons the Lycians excelled, as shown by their
tombs, most of which pre-date Alexander the Great's conquest of
Anatolia in the 4th century BC. The tombs resemble temples, and were
carved into cliff walls in the most inaccessible places. The
mountains of the region consist largely of limestone, which is
relatively soft and easily worked, and this probably explains why no
comparable numbers of rock tombs are found elsewhere. The tombs
generally have two Ionic columns on the façade, surmounted by an
architrave and a pediment. Behind this façade the rock is carved out
to form an inner façade, in which a portal leads into the burial
chamber. Within are stone couches on which the dead were laid and
gifts left for them. The number of these couches varies according to
the size of the burial chamber. On the outer façades of some of
the tombs are carved reliefs depicting the dead person or important
events of the time. Scenes showing funeral feasts known as symposium
scenes are common. Mythological figures and heroes also feature
in these reliefs, particularly Bellerophon, who with the help of his
winged horse Pegasus killed the Chimaera, a three headed, fire
breathing monster which had terrorised the people of the
region. In certain places there are so many rock tombs that
entire cliffs are honeycombed with them, and in some areas as many
as two thousand are to be found in close proximity. The precious
grave goods placed in the tombs were too much of a temptation to
robbers to have survived to the present day. Indeed, that robbery of
the tombs began in antiquity is indicated by the fact that curses
were carved on many of them as a deterrent. The curses warn vandals
of severe punishment by the gods if they should desecrate the tombs
or dare to use them for other purposes. But if the gold and
jewels have long since gone, the imposing and timeless tombs
themselves have remained to become an inherent part of this
spectacular landscape. l
* Şengül Aydıngün is an
art
historian. |