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SAGALASSOS
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The ancient ruins of Sagalassos are situated 7 km from the
town of Ağlasun in the province of Burdur. The city lies on Mount
Akdağ, a spur of the Western Toros range, at an altitude of between
1450 and 1700 metres. Human settlement in the area goes back to
12,000 BC, and Sagalassos itself reveal traces of settlement going
back to 3000 BC. Around 1600 it became part of Pisidia, but
otherwise its history remains wreathed in mist until the arrival of
Alexander the Great in 334 BC. Sagalassos was renowned for its
courageous and warlike inhabitants, who put up a vigorous defence
against Alexander’s army. The city was finally conquered after the
loss of five hundred lives in a battle which took place on a hilltop
facing the city.Sagalassos enjoyed a period of prosperity after
Alexander, and throughout the Hellenistic period (333-25 BC) was the
second most important city of Pisidia. In 25 BC Sagalossos became
part of the Roman Empire and in the 1st century AD became the
foremost city of the region. From then until the early 3rd century
the city enjoyed a golden age and many magnificent buildings were
constructed here. In 518 AD a violent earthquake struck. Although
the city was subsequently rebuilt, another earthquake in the 7th
century destroyed not only the city but its water sources. Lack of
water and disease were compounded by the Arab incursions, and
finally the city was abandoned altogether. Landslides from Mount
Akdağ gradually buried much of the city and, thus protected,
Sagalassos lay concealed in hibernation for long centuries.In 1706
the French traveller Paul Lucas arrived in Sagalassos, which he
describes as a city of enchantment. Not until 1824 did the British
cleric Francis Arundell discover the city’s true identity. In 1985 a
team of British researchers led by Stephen Mitchell visited the
site, and the following year they were joined by Belgian
archaeologist Prof Dr Marc Waelkens, the man who was to awaken
Sagalassos from its centuries of
oblivion. |
| When Waelkens and Mitchell carried out surface
exploration at this remote site like an eagles eyrie high in the
mountains, they were astounded not only by the ruins but by the
spectacular view over the green plain.Thanks to the city’s
inaccessibility the ruins had not been plundered for building
material or by antiquity hunters, and remained so remarkably intact
that Marc Waelkens was overcome by excitement. This was the site of
his dreams, and immediately he obtained the necessary permits to
carry out excavations. With the financial and technical support of
Leuven Catholic University in Belgium where he taught, excavations
went ahead in 1990. |
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Waelkens invited experts in a range of fields from various
countries to join the large team, and within ten years - a brief
period in archaeological research terms - most of Sagalassos was
revealed and reconstruction of some buildings had commenced.The
principle structures uncovered by the excavations are a Doric temple
(1st century BC), a late Hellenistic fountain (1st century BC), the
Neon Library (second century AD), a bouleuterion or assembly
building seating |
| two hundred people (125-100 BC), the upper and lower
agoras (2nd century BC), a heroon (hero’s memorial) thought to
commemorate Alexander the Great dating from the reign of Augustus
(14 AD), Temple of Apollo Clarios (0-20 AD), Temple of Antinius Pius
(120-140 AD), Antonines Fountain (161-180 AD), a theatre seating
nine thousand people which is the highest in the world (2nd century
AD), Roman bath (2nd century AD), and a public lavatory
accommodating forty people. |
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The first two years of work were devoted mainly to the Neon Library
and the mosaic pavement in front of this building, and to the late
Hellenistic fountain. Almost all the architectural elements of both
library and fountain were in situ, and between 1992 and 1997 architectural
restorers Semih Ercan and Teresa Patricio reconstructed both buildings. At
the same time, the water source which had fed the fountain was unblocked,
so that it began to flow again. This is the first time in Turkey that the
original function has been restored to an antique
structure.
Since 1997 work has focused on the area around the upper agora,
which formed the central hub of Sagalassos, and the Antonines Fountain on
the north side of the agora. The façade of this imposing fountain is like
a theatre proscenium, with niches containing statues made in Aphrodisias
and Afyon İncehisar. It is estimated that work on the fountain will be
completed in five or six years time, restoring it to its original
glory.
Two splendid statues of the god Dionysus, 2.65 and 2.45 metres high
respectively, and statues of various sizes representing august citizens of
Sagalassos discovered during excavation of the fountain are today
exhibited in Burdur Museum. When the restoration work being carried out by
Semih Ercan is complete, replicas of these statues will be placed on the
fountain, and the water main linking it to the Hellenistic fountain
restored so that the water will flow here again. The 14 metre high heroon
in the upper agora is another important structure which will be rebuilt,
and restoration is underway by a team led by Ebru Torun Popleme. The most
striking feature of the heroon is a frieze depicting women dancing in a
trance, with draped cloths and musical instruments in their hands.
Conservation work is still continuing on this frieze, whose Hellenistic
folds are superbly sculpted.
When the area around the upper agora is completed, visitors will be
able to gain a fuller perception of Sagalassos. Once again the city will
gleam like a pearl set in the rocky heights of the
Toros.
Sagalassos is 110 kilometres from Antalya Airport, and is also
within easy reach for those travelling between Antalya and Pamukkale or
Antalya and Cappadocia. It is just 30 kilometres from the cities of Burdur
and Isparta. If you visit Sagalassos between 1 June and 1 September, you
will be able to watch the archaeologists at work and enjoy a free guided
tour by by volunteers in English, French, German and Flemish.
* Şengül
Gündoğan Aydıngün is an archaeologist and art
historian. |